Monday, June 10, 2019

Talking about movie hurt lockeror apocalypse now Research Paper

Talking about painting hurt lockeror apocalypse now - Research Paper ExampleIdeological differences and socio-political issues pass in violence related to modern warfare, and the film named as The Hurt Locker proves the same.First of all, one needs to realize that the influence of religious tenet upon the political scenario of a nation is totally against democracy. To be specific, autocrats exploit and depend upon the influence of religion on national politics. Within the incumbrance Eastern context, the dependence on religion to crush democratic ideas is evident. The bump around between the Middle Eastern nations and the west can be easily identified as the clash between socio-cultural and religious differences. When the term modern warfare is superimposed into the context of the fore pointed differences, one can see that the western nations support democracy and the Middle Eastern nations support autocracy and the influence of religion within their political context.In the fi lm, the protagonists mission is not to fight against the so called opposite groups, but to provide humanitarian aid to the victims. Michael L. Gross makes clear that, Humanitarian intervention is only justified when the weaker, rogue nation is so egregiously criminal that it is unachievable to think their soldiers might somehow retain a measure of moral innocence (49). Besides, this group cannot be considered as insurgents because their mission to defuse explosives and save exonerated civilians and others. But the members of the protagonists group do not realize the significance of their mission. To be specific, they consider that their mission is to overpower their foes. This difference in perceiving the essence of ones duty, or the protagonists view on his mission, is the core aspect of the movie.On the other side, the real villain (autocratic ruler) in the movie is still behind the silver screen and tries to make use of innocent civilians as scapegoats of hostility. The protag onist knows this fact and deals with his

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